Saturday, December 01, 2012
In conceptualizing this piece, I wanted to bring all of the factors leading into these events into the image and use the resulting contortion of my body to disturb the surface that my form is projected upon. When I felt myself returning to these memories, I clutched the fabric and curled my body much like I did when I was younger and was able to capture not only a physical representation in the imagery, but a tactile distortion of the surface that mirrors the dissidence within my mind. The folds created during the performance fracture and distort the proportions of my limbs and demonstrate my warped psychology.
When I viewed the completed piece with my professors we again experimented with rotating the composition to determine if there were any significant emotional/compositional changes and I was delighted to discover that the perceived emotion shifted based on the orientation. The top left (also my favorite) feels as if the figure is falling and has been swept away by a torrent, the top right as if the figure is trapped within a box, the bottom right begins to introduce a sense of violence, as if the figure has been pushed or knocked over, completely losing its balance, and the final conveys the greatest sense of violence with the figure appearing to have landed roughly on its head.