This
semester I will be continuing with the themes and concepts I
established in the fall, but this time the subject matter will be what I
consider to be the third era of my life. This period covers everything
from my high school graduation and move across the country to
Rochester, to the events leading up to my coming out and personal
acceptance as a homosexual, my first love, and the struggles I faced in
molding myself to seemingly impossible standards as a professional
artist in the animation industry. When I look back on this time, I feel
as if it was a rebirth and a new found infancy where everything was
possible and yet horribly frightening. There were no chains to bind me
except the ones I clung to from my past and the complexity of my
internal struggles expanded to encompass wondrously new territories. I
can reduce this bubbling concoction of experiences down to one simple
word:
Emergence.
And so, with this
new foundational concept, I have begun to examine the natural
progression of form that would support my new themes. My works of last
semester were primarily flat pieces that focused on images illustrating
my struggles with the concealment and misdirected projections of my
identity. This new theme calls for something more concrete and spatial,
as it is one step closer to discarding the illusions that I had tried to
maintain and, in truth, was the first time I openly invited others to
peer beyond the screens of my fears. The realization of these forms
will be similar to my previous photograms with two exceptions:
1)
I will be molding the fabric to my body so that it retains its shape,
yet remains vague in terms of concrete detail. The hand in the above
picture is a test I did today with plaster bandages and is similar to
what the fabric will look like. You will see the form of my body as if
there was a figure present underneath the fabric, still concealed but
infinitely more concrete than the abstracted silhouettes of before.
2)I
will also be taking a more literal turn with the photograms by
enlarging and projecting text from a journal that I had kept during
college. This act in itself is a huge leap for me in revealing things
that I have yet been petrified to show.
I hope to create
a dialogue between the expression of my internal thoughts and physical
manifestation of my body that reveals as much to me about this period of
my life as it does to others. It is an act of catharsis as well, for
there is a lot yet left to express that has been pent up in the
fortresses of my fears. This semester will be a journey, hopefully a
brutally honest one, that will allow me to openly discard my projections
and reveal an intimacy that is closer to the truth of my identity and,
hopefully, pave the road for a truer form of expression as a
professional artist.
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